How to Tune a PA System
Set up your PA system, and make sure it is working., Make sure that both the graphic EQ and the EQ on the mixing board are set 'flat'., Connect your playback device and play some music., Listen., Adjust your graphic equalizer., Listen again., Bypass...
Step-by-Step Guide
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Step 1: Set up your PA system
Including your graphic equalizer(s).
Make sure that the inputs of your EQ are connected to the left/right outputs of your mixing desk and the outputs of the equalizer are connected to your main left/right power amps. -
Step 2: and make sure it is working.
That is neither boosting or attenuating any frequencies. , It is best to play a song that A. you are familiar with, because you need to know what the track is supposed to sound like, and B. that is similar in style and instrumentation to the music you will be mixing with the PA system. , Take a walk around the room while the music is playing and note how it sounds different than it does when you listen to it in headphones or your home stereo (this is why you need a familiar piece of music).
Your goal is to eliminate, or reduce as much as possible, these differences so that what is coming from your CD player is reproduced by the PA system as accurately as possible. , With your music playing, start at the low end of the equalizer, and systematically boost each frequency, one at a time.
Evaluate the sound as you boost each frequency.
If adding more of a particular frequency makes the music sound worse, turn that frequency down until the music sounds lacking in that frequency range.
If adding more of a particular frequency improves the sound of the music leave it flat (neither boosted nor attenuated) for now.
Be careful when boosting high-midrange and high end frequencies, as they can be piercing if boosted too loud (it is not necessary to boost any frequency all the way up, just up enough that you can hear the difference). , Walk around the room again once you have gone through each band on the graphic equalizer (with the music still playing).
Again, you are listening to how the music sounds different than it does in headphones or another familiar playback system. , Press the "Bypass" button (or toggle switch) on your graphic equalizer.
Listen to the difference between the EQed sound, and the bypassed sound.
This will show you exactly what you have changed with the graphic EQ and if some of your attenuation might be too extreme, or not extreme enough.
You may want to walk around the room while somebody else operates the Bypass control. , Basically this entire article could be summarized as "play with the graphic equalizer until it sounds good".
It sounds really simple and it is.
It may take you a while to get the hang of it, but the more you do it the better you will get.
All that the fancy computer software for PA tuning does is play noise through the system, the frequencies and proportions thereof are already known, and then analyses the sound coming back and measures the difference between the sound it sends out and the sound it gets back.
This is basically all that we're doing here, except a little bit less precise and with more room for personal taste. -
Step 3: Make sure that both the graphic EQ and the EQ on the mixing board are set 'flat'.
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Step 4: Connect your playback device and play some music.
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Step 5: Listen.
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Step 6: Adjust your graphic equalizer.
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Step 7: Listen again.
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Step 8: Bypass the EQ
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Step 9: and compare.
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Step 10: Adjust until it sounds good.
Detailed Guide
Including your graphic equalizer(s).
Make sure that the inputs of your EQ are connected to the left/right outputs of your mixing desk and the outputs of the equalizer are connected to your main left/right power amps.
That is neither boosting or attenuating any frequencies. , It is best to play a song that A. you are familiar with, because you need to know what the track is supposed to sound like, and B. that is similar in style and instrumentation to the music you will be mixing with the PA system. , Take a walk around the room while the music is playing and note how it sounds different than it does when you listen to it in headphones or your home stereo (this is why you need a familiar piece of music).
Your goal is to eliminate, or reduce as much as possible, these differences so that what is coming from your CD player is reproduced by the PA system as accurately as possible. , With your music playing, start at the low end of the equalizer, and systematically boost each frequency, one at a time.
Evaluate the sound as you boost each frequency.
If adding more of a particular frequency makes the music sound worse, turn that frequency down until the music sounds lacking in that frequency range.
If adding more of a particular frequency improves the sound of the music leave it flat (neither boosted nor attenuated) for now.
Be careful when boosting high-midrange and high end frequencies, as they can be piercing if boosted too loud (it is not necessary to boost any frequency all the way up, just up enough that you can hear the difference). , Walk around the room again once you have gone through each band on the graphic equalizer (with the music still playing).
Again, you are listening to how the music sounds different than it does in headphones or another familiar playback system. , Press the "Bypass" button (or toggle switch) on your graphic equalizer.
Listen to the difference between the EQed sound, and the bypassed sound.
This will show you exactly what you have changed with the graphic EQ and if some of your attenuation might be too extreme, or not extreme enough.
You may want to walk around the room while somebody else operates the Bypass control. , Basically this entire article could be summarized as "play with the graphic equalizer until it sounds good".
It sounds really simple and it is.
It may take you a while to get the hang of it, but the more you do it the better you will get.
All that the fancy computer software for PA tuning does is play noise through the system, the frequencies and proportions thereof are already known, and then analyses the sound coming back and measures the difference between the sound it sends out and the sound it gets back.
This is basically all that we're doing here, except a little bit less precise and with more room for personal taste.
About the Author
Denise Harris
Professional writer focused on creating easy-to-follow DIY projects tutorials.
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